Visual Effects & Volumetric Capture projects

This showreel presents parts of my digital effects projects which I created as MA Digital Effects student at Bournemouth University. I worked from Preproduction to postproduction with the programmes Houdini, Nuke, Adobe Creative Suite, PhotoScan. Mudbox, ZBrush, Maya and 3DsMax.

Mixed Reality live music performance with volumetric captures of Madonna at the 2019 Billboard Music Awards at the MGM Grand Garden Arena in Las Vegas. Madonna was filmed and the digital doubles were processed at Dimension Studio in London. I worked as Digital Imaging Technician in production and Technical Artist in postproduction.

The National Theatre’s musical VR experience All Kinds of Limbo transports audiences into a vibrant theatrical world inspired by the influence of West Indian culture on the UK music scene. I worked as DIT in production and Technical Artist in postproduction.

Aquascape - Underwater carousel was my first project during my Master studies at the National Center of Computer Animation at Bournemouth University. The task was to create a dry to wet digital effect of a real location. I used the programmes SideFX Houdini, TheFoundry Nuke, Adobe Photoshop and Premiere Pro.

In a world-first, this London projection mapping with 4 projection screens and crazy camera movements combines visual effects with volumetric captures of London singer-songwriter Raye, viral internet gaming star Vikkstar, and football freestylers Liv Cooke and Andrew Henderson. I worked on visual effects and compositing.

Volumetric capture was used for a new golf free-viewpoint swing analysis at the 148th Golf Open Championship by Sky Sports. The golfers were filmed in MRMC and Dimension’s new Polymotion Stage, the world’s first mobile 3-in-1 solution volumetric capture studio. I helped setting up the stage as DIT in Ireland and worked as Technical Artist in London.

Jeff Wayne's  immersive experience gives the audiences the chance to live through a Martian invasion of 1898. Volumetric capture at Dimension Studio in London. I worked as DIT in production and Technical Artist in postproduction.

The video Cyber Galaxy is a Motion Design project of my Bachelor's studies. Different pictures, tint videos and graphic drawings are composited in Adobe After Effects. Often abstract Motion Graphics are used for title sequences of films creating a bridge between the real world and the immersion into the film.

Volumetric Capture

At the 4D volumetric capture studio I create digital doubles of actors and objects with a rig of over 100 RGB cameras and lasers. On set I am responsible for the filming and transfer of the data as Post Supervisor and DIT (Digital Imaging Technician). During Post Production I process the data and apply digital effects to the captures. Furthermore live tracking systems and 3D Photogrammetry help us create immersive Virtual Reality/Augmented Reality experiences with digital humans in the Film/Entertainment/Edutainment industry.

Controlling cameras, lasers and lights on set

Working as post supervisor with VFX legend Paul Franklin and the great team.

Digital Clothes